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A# major piano chord: How to play the A sharp major chord on piano?

To play the A# major piano chord, begin by locating the note A#, which is the right most of the three black keys. Once you’ve found it, combine A# with Cx (double sharp) and E# to create the A# major triad.

A# major chord

The A# major chord notes

The A# major piano chord consists of three notes A#, Cx and E#. These three notes create the major triad, a chord with a distinct happy sound.

To play this chord in its root position (basic form) with your right hand, use these fingers:

  • E# – Fifth finger (5)
  • Cx – Third finger (3)
  • A# – Thumb (1)

For the left hand, use the following fingers:

  • E# – Thumb (1)
  • Cx – Third finger (3)
  • A# – Fifth finger (5)

The inversions of A# major chord

Chord inversions allow you to achieve different harmonic textures and smoother movement between chords. The inversions of the A# major piano chord are created by reordering the notes within the chord. 

The A# major piano chord has two inversions:

  • First Inversion: This inversion moves A# to the top, placing Cx as the lowest note.
  • Second Inversion: This inversion shifts both A# and Cx to the top, making E# the lowest note.

How to play A# major chord first inversion?

To play the first inversion of the A# major piano chord, begin with Cx as the lowest note. Next, play E# above it, and finally, put the A# on top. This produces a distinct voicing, which can be important for smooth chord changes.

A# major chord first inversion

For the right hand, use these fingers:

  • A# – Fifth finger (5)
  • E# – Second finger (2)
  • Cx – Thumb (1)

For the left hand, use these fingers:

  • A# – Thumb (1)
  • E# – Third finger (3)
  • Cx – Fifth finger (5)

How to play A# major chord second inversion?

To play the second inversion of the A# major piano chord, begin with the lowest note, E#. Then, play A# above it, followed by Cx at the top. This variant gives the chord a fresh feel and makes it simpler to easily transition between chords and set up resolutions.

A# major chord second inversion

For the right hand, use these fingers:

  • Cx – Fifth finger (5)
  • A# – Middle finger (3)
  • E# – Thumb (1)

For the left hand, use these fingers:

  • Cx – Thumb (1)
  • A# – Third finger (3)
  • E# – Fifth finger (5)

A# major chord progression

The A# major chord progression appears in a variety of musical genres, ranging from pop and rock to jazz and classical. These progressions help create dynamic movement and emotional depth in songs. An A# chord progression often includes chords like A#, D#, E# and Fxm.

Here are some popular A# major piano chord progressions:

  • Fxm – A# – D# – E#
  • A# – D# – E# – E#
  • A# – D# – A# – E#
  • D# – E# – D# – A#

Playing these chord patterns regularly will improve your familiarity with A# major on piano and make transitions between chords feel more natural.

These examples highlight the great ways to use of the A# major chord progression, showing a range of moods that you can create. They are a great way to put your knowledge of piano chords to the test. To understand these chord symbols and how to play them, check out Skoove’s tailor-made beginner chord progression courses.

 

 

Play chord progressions

Piano chords generator

💡 If you are reading this from a mobile device, rotate it to display the tool in full width.

 

1. Click on “Chords”
2. Choose the “Root” of the chord
3. Choose the “Chord qualities” (major, minor, etc.)
4. Click “Display”

Popular songs to play with the A# major piano chord

Bye Bye Blackbird – Edie Cantor 

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Autumn Leaves – Joseph Kosma 

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Author of this blog post:
Susana Pérez Posada

Susana Pérez Posada

With over seven years of piano education and a deep passion for music therapy, Susana brings a unique blend of expertise to Skoove. A graduate in Music Therapy from SRH Hochschule Heidelberg and an experienced classical pianist from Universidad EAFIT, she infuses her teaching with a holistic approach that transcends traditional piano lessons. Susana’s writings for Skoove combine her rich musical knowledge with engaging storytelling, enriching the learning experience for pianists of all levels. Away from the piano, she loves exploring new places and immersing herself in a good book, believing these diverse experiences enhance her creative teaching style.

Edited and fact-checked by Matthew Dickman, composer, arranger, educator and multi-instrumentalist whose works have been performed by orchestras around the world.
Published by Lydia Ogn from the Skoove team

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