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C#m piano chord: How to play C sharp minor chord on piano?

To play the C# minor (C#m) chord, begin by locating the note C#, which is the black key immediately to the right of C. Once you’ve found it, combine C# with E and G# to create the C# minor chord.

c sharp minor chord

C# minor notes

The C# minor chord consists of three notes: C#, E and G#.

These notes are called: root (C#), third (E), fifth (G#). Together, they create a moody and melancholic sound.

To play this chord in its root position (basic form) with your right hand, use these fingers:

  • G# – Fifth finger (5)
  • E – Third finger (3)
  • C# – Thumb (1)

For the left hand, use the following fingers:

  • G# – Thumb (1)
  • E – Third finger (3)
  • C# – Fifth finger (5)

The inversions of C sharp minor chord

The inversions of the C# minor piano chord are formed by rearranging the order in which the notes are played. Chord inversions allow you to play the same chord with a different sound and control how you emphasize each note of the chord.

The C# minor chord has two inversions:

  • C# minor first inversion places C# at the top of the chord, leaving E as the lowest note.
  • C# minor second inversion places both C# and E at the top, leaving G# as the lowest note.

Let’s break down these inversions further and discover how to play them on the piano.

How to play the first inversion of C# minor?

To play the first inversion of the C# minor piano chord, start with E as the lowest note. Next, play G# above it and finally add C# as the highest note. This gives the chord a fresh sound, great for smooth transitions between chords.

the first inversion of C# minor

For the right hand, use these fingers:

  • C# – Fifth finger (5)
  • G# – Middle finger (3)
  • E – Thumb (1)

For the left hand, use these fingers:

  • C# – Thumb (1)
  • G# – Third finger (3)
  • E – Fifth finger (5)

How to play the second inversion of C# minor?

To play the second inversion of the C# minor piano chord, start with G# as the lowest note. Then play C# above it and finally add E as the highest note. This inversion is ideal for creating a sense of resolution in your chord progressions.

the second inversion of C# minor

For the right hand, use these fingers:

  • E – Fifth finger (5)
  • C# – Middle finger (3)
  • G# – Thumb (1)

For the left hand, use these fingers:

  • E – Thumb (1)
  • C# – Second finger (2)
  • G# – Fifth finger (5)

C sharp minor chord progression

The C# minor chord progression is widely used in various genres, from rock and pop to jazz and classical music. A C# minor chord progression often includes chords like C#m, F#m, E and G#. Here are some popular C# minor chord progressions:

  • C#m – G# – F#m – E
  • C#m – E – A – G#
  • C#m – A – F#m – G#m
  • C#m – E – F#m – G#m

These progressions highlight the versatility of the C# minor chord progression, offering a range of moods from melancholic to uplifting. They are a great way to put your knowledge of piano chords to the test. To understand these chord symbols and how to play them, check out Skoove’s tailor-made beginner chord progression courses.

 

 

Play chord progressions

Piano chords generator

💡 If you are reading this from a mobile device, rotate it to display the tool in full width.

 

1. Click on “Chords”
2. Choose the “Root” of the chord
3. Choose the “Chord qualities” (major, minor, etc.)
4. Click “Display”

Popular songs to play with the C#m piano chords

Frank Sinatra – All the Things You Are

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Author of this blog post:
Susana Pérez Posada

Susana Pérez Posada

With over seven years of piano education and a deep passion for music therapy, Susana brings a unique blend of expertise to Skoove. A graduate in Music Therapy from SRH Hochschule Heidelberg and an experienced classical pianist from Universidad EAFIT, she infuses her teaching with a holistic approach that transcends traditional piano lessons. Susana’s writings for Skoove combine her rich musical knowledge with engaging storytelling, enriching the learning experience for pianists of all levels. Away from the piano, she loves exploring new places and immersing herself in a good book, believing these diverse experiences enhance her creative teaching style.

Edited and fact-checked by Matthew Dickman, composer, arranger, educator and multi-instrumentalist whose works have been performed by orchestras around the world.
Published by Lydia Ogn from the Skoove team

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