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G# major piano chord: How to play the G sharp major chord on piano?

To play the G# major piano chord, begin by locating the note G#, which is the middle of the three black keys. Once you’ve found it, combine G# with B# and D# to create the G# major piano chord.

g# major piano chord

Notes in the G# major chord

The G# major piano chord consists of three notes G#, B# and D#. These three notes together create the G# major triad. 

To play this chord in its root position (basic form) with your right hand, use these fingers:

  • D# – Fifth finger (5)
  • B# – Third finger (3)
  • G# – Thumb (1)

For the left hand, use the following fingers:

  • D# – Thumb (1)
  • B# – Third finger (3)
  • G# – Fifth finger (5)

The inversions of G# major chord

Inversions of the G# major piano chord are made by rearranging the notes while still playing the exact same chord. These chord inversions allow you to create varied harmonic structures as well as better chord transitions. The G# major piano chord has two inversions:

  • First Inversion: This inversion moves G# to the top, placing B# as the lowest note.
  • Second Inversion: This inversion shifts both G# and B# to the top, making D# the lowest note.

How to play G# major chord first inversion?

To play the first inversion of the G# major piano chord, start with B# as the lowest note. Next, play D# above it and finally, place G# at the top. This creates a different voicing that is useful for switching up movement in chord transitions.

g sharp major chord 1st inversion

For the right hand, use these fingers:

  • G# – Fourth finger (4)
  • D# – Second finger (2)
  • B# – Thumb (1)

For the left hand, use these fingers:

  • G# – Thumb (1)
  • D# – Third finger (3)
  • B# – Fifth finger (5)

How to play G# major chord second inversion?

To play the 2nd inversion of the G# major piano chord, start with D# as the lowest note. Then, play G# above it, and finally, add B# at the top. This variant gives the chord a fresh feel and can make it simpler to easily transition between chord progressions.

G# major chord second inversion

For the right hand, use these fingers:

  • B# – Fifth finger (5)
  • G# – Middle finger (3)
  • D# – Thumb (1)

For the left hand, use these fingers:

  • B# – Thumb (1)
  • G# – Third finger (3)
  • D# – Fifth finger (5)

G# major chord progression

The G# major chord progression appears in different musical genres, ranging from pop and rock to jazz and classical. These progressions form the harmonic backbone in songs. A G# major chord progression often includes chords like G#, C#, D# and E#m. Here are some popular G# major piano chord progressions:

  • G# – C# – D# – D#
  • E#m – G# – C# – D#
  • G# – C# – G# – D#
  • C# – D# – C# – G#

Playing these chord patterns regularly will improve your familiarity with G# major on piano and make transitions between chords feel more natural.

These progressions demonstrate the variety of a G# major chord progression, featuring moods that vary from joyous to powerful. They are a perfect way to put your understanding of piano chords to the test. Skoove’s tailored beginning chord progression classes can help you grasp these chord symbols and perform them.

 

 

Play chord progressions

Piano chords generator

💡 If you are reading this from a mobile device, rotate it to display the tool in full width.

 

1. Click on “Chords”
2. Choose the “Root” of the chord
3. Choose the “Chord qualities” (major, minor, etc.)
4. Click “Display”

Popular songs to play with the G# major piano chord

All the Things You Are – Frank Sinatra 

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Author of this blog post:
Matthew Dickman

With over a decade of experience in music education Matthew holds a BA in Music from Paul McCartney’s LIPA and an MA in Composition from the University of Salford. Mathew has developed a distinctive compositional voice and approach to music theory education through his research and work in the music industry. Matthew’s writing for Skoove combines experience from orchestral and media composition, and as a gigging jazz musician, to create a wholistic and accessible pedagogy for musicians of any level. Away from music, he enjoys reading and exploring nature to expand his horizons and knowledge contributing to his holistic teaching style.

Published by Lydia Ogn from the Skoove team

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