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F# major piano chord: How to play the F sharp major chord on piano?

To play the F# major chord, begin by locating the note F#, which is the leftmost black key of the group of three. Once you’ve found it, combine F# with A# and C# to create the F# major chord.

F sharp major

F# major notes

The F# major chord consists of three notes F#, A# and C#. These notes ogether, they create a bright and full sound.

To play this chord in its root position (basic form) with your right hand, use these fingers:

  • C# – Fifth finger (5)
  • A# – Third finger (3)
  • F# – Thumb (1)

For the left hand, use the following fingers:

  • C# – Thumb (1)
  • A# – Third finger (3)
  • F# – Fifth finger (5)

The inversions of the F# major chord

The inversions of the F# major piano chord are formed by rearranging the order in which the notes are played. Chord inversions allow you to play the same chord with a different sound and control how you emphasize each note of the chord.

The F# major chord has two inversions:

  • First inversion: This inversion places F# at the top of the chord, leaving A# as the lowest note.
  • Second inversion: This inversion places both F# and A# at the top, leaving C# as the lowest note.

Let’s break down these inversions further and discover how to play them on piano.

How to play F# major first inversion?

To play the first inversion of the F# major piano chord, start with A# as the lowest note. Next, play C# above it and finally add F# as the highest note. This gives the chord a fresh sound that’s great for smooth transitions between chords.

F# major first inversion

For the right hand, use these fingers:

  • F# – Fifth finger (5)
  • C# – Middle finger (3)
  • A# – Thumb (1)

For the left hand, use these fingers:

  • F# – Thumb (1)
  • C# – Third finger (3)
  • A# – Fifth finger (5)

How to play F# major second inversion?

To play the 2nd inversion of the F# major piano chord, start with C# as the lowest note. Then play F# above it and finally add A# as the highest note. This inversion gives the chord a different sound and is often used to make chord resolutions more interesting.

F# major second inversion

For the right hand, use these fingers:

  • A# – Fifth finger (5)
  • F# – Middle finger (3)
  • C# – Thumb (1)

For the left hand, use these fingers:

  • A# – Thumb (1)
  • F# – Third finger (3)
  • C# – Fifth finger (5)

F# major chord progression

The F# major chord progression appears in a variety of musical genres, from rock and pop to jazz and classical music. An F# major chord progression often includes chords like F#, B, C# and D#m. Here are some popular F# major chord progressions:

  • F# – C# – B – C#
  • F# – D#m – B – C#
  • F# – D#m – B – C#
  • F# – B – C# – B

These progressions highlight the versatility of the F# major key, offering a range of moods from uplifting to warm and emotional. They are a great way to put your knowledge of piano chords to the test. To understand these chord symbols and how to play them, check out Skoove’s tailor-made beginner chord progression courses.

 

 

Play chord progressions

Piano chords generator

💡 If you are reading this from a mobile device, rotate it to display the tool in full width.

 

1. Click on “Chords”
2. Choose the “Root” of the chord
3. Choose the “Chord qualities” (major, minor, etc.)
4. Click “Display”

Popular songs to play with the F# major piano chord

Frank Sinatra – All the Things You Are 

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Stay Cold – BTS

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Author of this blog post:
Susana Pérez Posada

Susana Pérez Posada

With over seven years of piano education and a deep passion for music therapy, Susana brings a unique blend of expertise to Skoove. A graduate in Music Therapy from SRH Hochschule Heidelberg and an experienced classical pianist from Universidad EAFIT, she infuses her teaching with a holistic approach that transcends traditional piano lessons. Susana’s writings for Skoove combine her rich musical knowledge with engaging storytelling, enriching the learning experience for pianists of all levels. Away from the piano, she loves exploring new places and immersing herself in a good book, believing these diverse experiences enhance her creative teaching style.

Edited and fact-checked by Matthew Dickman, composer, arranger, educator and multi-instrumentalist whose works have been performed by orchestras around the world.
Published by Lydia Ogn from the Skoove team

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